Skip to main content

Eddie C - Migration EP (Sound of Speed Japan)

It's been more than a while since we covered a record by our hero Eddie C on these pages, if we were to cover more of his releases on here we'd seriously be writing about him on a weekly basis. As we predicted 2010 has been an impeccable year for the man - he's quickly emerged into one of the most in demand producers, remixers and djs out there; he's been booked at some of the hottest parties worldwide in recent months, constantly on the move to grace the decks at gigs in Detroit, Japan, Germany, France, England, and at the recent Sleazy Beats label parties in Melbourne and Sydney Australia. In short, Eddie's had a pretty damn successful year to say the least, and looks poised to take 2011 by storm as well.

The new one by the crown prince of dirty disco entitled 'The Migration Ep' on Japan's Sound of Speed imprint has finally hit the shops. I've been hitting refresh on my browser daily to see if it's finally in stock ever since it popped up on Juno months ago. The A1 'Migration' is a suspenseful and relentless midtempo cut with heavy slap bass and disco strings, with carefully constructed vocal breakdowns. 'Keepin' On' is a perfect slice of downtempo electronic soul sure to warm your heart with its sublime female vocal about "drifting on your love" that laces Eddie's tight drums and melodies together effortlessly. Flip it over for the uptempo disco-house loveliness of 'Give It To Me'; one to whip out prime time. Finally the moody, breezy keys create a restless and stellar groove in the EP closer, 'Days Like These'.




An all-round monumental package of a record this, seriously. Easily buy on sight material - it's 99.9% sure to sell out we reckon. Grab it here, or any other worthy retailer.

Comments

Popular posts from this blog

Sleazy Team ~ Best of '16

Jebus, another year gone by already? Time sure flies when the world's going bonkers and the masses are bent on sticking all their eggs in one giant smelly basket and having Farage, The Donald and a host of other lunatics break them all at once while laughing hysterically.

All farcical geo-political madness and neo-patriotic nu-bigotry aside, 2016 was a memorable year for us at SB. We tricked The Popular People's Front - our heroes, the originators! - into doing us the final record in the Black Ops series, which sold out in what seemed a nano-second. After burying the Black Ops project with a sniff and a tear, we launched a new imprint, Make Believe Disco, with French prodigal kid Folamour handling the inaugural release, which, unbelievably, also sold out from the distro on day one.
At the tail-end of the year we sat down in our cabin in the woods, started a fire and got the s'mores going, while looking back on 7 years of Sleazy Beats. We agreed that in spite of our valian…

Caravan - Coarsica EP (Ken Oath)

The inaugural release on Australian imprint Ken Oath is one of the finest bits of plastic I've managed to pick up do far this year. It was Riggles' Slick Like Oil that had me whipping out my AmEx right away, a loopy, sample-heavy basement jam with a killer rubbery bassline, but as often is the case when buying records for one specific tune, the flip ends up being the side you end up playing the most. Donald's House and Low Flung (all new names to me) serve up the delightful kind of delightful contemporary electronic boogie that the likes of Suzanne Kraft and Moon B do so well.

The sophomore effort on Ken Oath, a mini-LP by Caravan called 'Coarsica', is cut from the same boogie cloth and it's really, really good. Six tracks of understated, 80's-tinged electronic boogie to choose from here, none of which would have been out of place on People's Potential Unlimited or Rush Hour's 'Music for Autobahns' compilations. It's not exactly the kind…

Mori Ra - Oriental Forest (Forest Jams)

Recently Guy & Kris asked for support to keep the Sleazy blog running and to bring fresh mojo to the sleazyverse. When Luvless told me about their cry for help I immediately wrote Guy and offered my help.
Some of you might know me from my productions as Martin Hayes for Razor-n-Tape, Rose Records and recently In Any Case Records.
I’ve been reading the blog since the early "gallery of awesome people“ days, to which I actually contributed a picture (mugshot obscured by skimpy knickers, if you have a copy of Frank Booker's record on Sleazy Beats, try and spot me on the cover!). Now let's get crackin' with my first review.
Possibly you’ve never heard of Mori Ra before, but that should change before long. The Osaka-based dj, record collector and producer managed to fly under the radar for a good while, but after a string of fantastic records on Macadam MamboPassport To ParadiseMost Excellent Unlimited and a recent sureshot edit of Yoruba Singers’ Black Pepper (on Left …