Skip to main content

Deep Space Orchestra / Ben Sun / James Johnston - Chrome Hand EP * Boogie Originals

Cosmic Boogie put together something really special for his fledgling Boogie Originals imprint. If you haven't heard the previous releases on the label yet, don't let the name fool you. The label's sound has little to do with gloopy 80s boogie but pushes a particularly enticing brand of deep, moody lo-slung house instead. On Boogie Originals' third release, current darlings of the blogosphere Deep Space Orchestra make an appearance, alongside Benjamin Sun and James Johnston, two of the friendliest and most talented producers in the deephouse industry. DSO's Chrome Hand is a swirly and chuggy technoid synthfest. Not something we'd play (too easy on the soul 'n sleaze) but I can totally see a festival tent going off properly to this. Voyeurhythms' prodigal child Benjamin Sun (seriously, he has so much talents it's not even funny) totally reconstructs DSO's cut, delivering one of the best tracks we've heard this year, a mesmerizing midtempo shuffler with broken, subtle beats that keeps building and growing. One of those tracks you should save for a very special moment.

On the flip we get to tracks from James Johnston (4Lux, Kolour, NoMatterWhat), another unsung hero of the deep. It's the midtempo burner Faces and Traces of Home that really tickles our pickle here, sweet jebus what a tune, definately one of his best yet. Vinyl is out soon and if it's digital you prefer, wait a few weeks and pick up some juicy WAVs.

BGO-003 - The Chrome Hand EP by Boogie Originals


Popular posts from this blog

Sleazy Team ~ Best of '16

Jebus, another year gone by already? Time sure flies when the world's going bonkers and the masses are bent on sticking all their eggs in one giant smelly basket and having Farage, The Donald and a host of other lunatics break them all at once while laughing hysterically.

All farcical geo-political madness and neo-patriotic nu-bigotry aside, 2016 was a memorable year for us at SB. We tricked The Popular People's Front - our heroes, the originators! - into doing us the final record in the Black Ops series, which sold out in what seemed a nano-second. After burying the Black Ops project with a sniff and a tear, we launched a new imprint, Make Believe Disco, with French prodigal kid Folamour handling the inaugural release, which, unbelievably, also sold out from the distro on day one.
At the tail-end of the year we sat down in our cabin in the woods, started a fire and got the s'mores going, while looking back on 7 years of Sleazy Beats. We agreed that in spite of our valian…

Mori Ra - Oriental Forest (Forest Jams)

Recently Guy & Kris asked for support to keep the Sleazy blog running and to bring fresh mojo to the sleazyverse. When Luvless told me about their cry for help I immediately wrote Guy and offered my help.
Some of you might know me frommy productions as Martin Hayes for Razor-n-Tape, Rose Records and recently In Any Case Records.
I’ve been reading the blog since the early "gallery of awesome people“ days, to which I actually contributed a picture (mugshot obscured by skimpy knickers, if you have a copy of Frank Booker's record on Sleazy Beats, try and spot me on the cover!). Now let's get crackin' with my first review.
Possibly you’ve never heard of Mori Ra before, but that should change before long. The Osaka-based dj, record collector and producer managed to fly under the radar for a good while, but after a string of fantastic records on Macadam Mambo, Passport To Paradise, Most Excellent Unlimited and a recent sureshot edit of Yoruba Singers’ Black Pepper (on Left …

V.A. - Quartet Series 001

I remember meeting Maurits (Nachtbraker) for the first time in Amsterdam a few years ago in a bar in the western part of town, where we both happen to live. You never quite know what to expect with these 'producer' types. I've been in the game long enough to know there's a lot of bullshit going around, but right off the bat it was clear Maurits is no chip off the bullshit block though. At the time he had his first release out on Dirt Crew and some things lined up with Heist and was about to finish his degree at university. Over the course of way too many beers and lots of merry banter he explained he wanted to have a go at making a living out of this music thing. The plan was to sign up with an agency, release records through Dirt Crew and Heist and eventually set up his own imprint. This is usually the point where my bullshit swing-o-meter starts peaking, but even through my beergoggles I could tell this goodnatured soul with his winning smile meant business (even if…