Skip to main content

Discomatin Edits Vol. 1

I'm by no means an expert on Parisian nightlife, but word on the street is the Discomatin crew put on parties in the city of light and love that are the stuff of legends. Discomatin Edits Vol. 1 is the gang's first foray into the wonderful world of vinyl, and if their spliced and diced reinterpretations are anything to go by, this is definitely my kind of party.

'Big Stuff' on the A1 is a cheeky peaktime disco stomper with some crazy cowbell action and a mad squelchy bassline. It's the kind of stuff that Al Kent does so well, cutting up and re-arranging dusty oldies without too much additional production or trickery. 'Sea & Skyline' is a bit less frantic and sounds so smoochy with its gentle guitar licks, slap bass and horns that if you told me this was lifted from the Love Boat I'd take your word for it. Cheeky? Oh yes. Good? Very much so. Flip over for 'Periferique Nord' for more class uptempo disco (those horns!) and 'Jolie Face', which sounds like the sonic equivalent of a pretty face indeed with its neat woodblock percussion, dramatic sax and French vocals. If you like Raphael Top Secret's reworks, you'll lap this up.

Can't find proper youtube vids (might make one if I find a moment next week) so you'll have to do with snips for now:

The first pressing sold out lightning fast and was going for crazy cash on Discogs, but the 'morning disco' lads kindly did the needful and pressed up a bunch more, so here's your chance to own a bit of proper sunshine on plastic.

Picc still have some, don't snooze!


Popular posts from this blog

Sleazy Team ~ Best of '16

Jebus, another year gone by already? Time sure flies when the world's going bonkers and the masses are bent on sticking all their eggs in one giant smelly basket and having Farage, The Donald and a host of other lunatics break them all at once while laughing hysterically.

All farcical geo-political madness and neo-patriotic nu-bigotry aside, 2016 was a memorable year for us at SB. We tricked The Popular People's Front - our heroes, the originators! - into doing us the final record in the Black Ops series, which sold out in what seemed a nano-second. After burying the Black Ops project with a sniff and a tear, we launched a new imprint, Make Believe Disco, with French prodigal kid Folamour handling the inaugural release, which, unbelievably, also sold out from the distro on day one.
At the tail-end of the year we sat down in our cabin in the woods, started a fire and got the s'mores going, while looking back on 7 years of Sleazy Beats. We agreed that in spite of our valian…

Mori Ra - Oriental Forest (Forest Jams)

Recently Guy & Kris asked for support to keep the Sleazy blog running and to bring fresh mojo to the sleazyverse. When Luvless told me about their cry for help I immediately wrote Guy and offered my help.
Some of you might know me frommy productions as Martin Hayes for Razor-n-Tape, Rose Records and recently In Any Case Records.
I’ve been reading the blog since the early "gallery of awesome people“ days, to which I actually contributed a picture (mugshot obscured by skimpy knickers, if you have a copy of Frank Booker's record on Sleazy Beats, try and spot me on the cover!). Now let's get crackin' with my first review.
Possibly you’ve never heard of Mori Ra before, but that should change before long. The Osaka-based dj, record collector and producer managed to fly under the radar for a good while, but after a string of fantastic records on Macadam Mambo, Passport To Paradise, Most Excellent Unlimited and a recent sureshot edit of Yoruba Singers’ Black Pepper (on Left …

V.A. - Quartet Series 001

I remember meeting Maurits (Nachtbraker) for the first time in Amsterdam a few years ago in a bar in the western part of town, where we both happen to live. You never quite know what to expect with these 'producer' types. I've been in the game long enough to know there's a lot of bullshit going around, but right off the bat it was clear Maurits is no chip off the bullshit block though. At the time he had his first release out on Dirt Crew and some things lined up with Heist and was about to finish his degree at university. Over the course of way too many beers and lots of merry banter he explained he wanted to have a go at making a living out of this music thing. The plan was to sign up with an agency, release records through Dirt Crew and Heist and eventually set up his own imprint. This is usually the point where my bullshit swing-o-meter starts peaking, but even through my beergoggles I could tell this goodnatured soul with his winning smile meant business (even if…